KIMBERLY AUBUCHON

 

Framed digital prints. Clockwise from the left of room: (hey there) Lonely Bird, Bird Light, Airborne Dranke, For the Birds .16 in. x 20 in.

$300, edition of 5

For the Birds (installation), 2008

Felt and yarn

Dimensions vary

(see below for individual pricing)

Lonely Bird
Bird Light
Airborne Drank
For the Birds .
Behind Every Walmart
Wired Birds

 

 

 

Dranky Drunk Red Bird

(cloud swing)

$500

Cross-eyed Cross-legged Chicken

(cloud swing)

$400

Crazy Haired Kickin' it Birdy

(cloud swing)

$300

Justa Swangin' Blue Bird

(cloud swing)

$400

F'd Up Blue Bird

$400

Double-fisted Grey Bird

$500

Passed-out Penguin

$400

Twinkle-toes Flesh Bird

$400

  

For the Birds

Kimberly Aubuchon

 

Statement

What is it about a beautiful sunny afternoon, with the birds singing and the wind rustling through the leaves that makes you want to get drunk? -Jack Handey

 

The installation For the Birds was inspired by an article I read in a Discover magazine in a doctor's waiting room. Hundreds of birds mysteriously died en masse in Vienna, Austria, causing concern among scientists about a possible new outbreak of the avian flu. It turned out, though, that the sweet songbirds had died of alcohol poisoning after eating fermented berries. There were also reports of the birds' exhibiting strange behavior before they died--crashing into cars, careening into the sides of buildings. Apparently nobody ever warned these birds not to fly drunk.

I've always liked birds--they make pretty sounds. I'll always remember my grandmother telling me when I was a child, "you know it's Spring when you see robins." So when I read the Discover article, it completely captured my imagination. I tried to visualize seeing these drunken birds for myself. For the Birds is my translation of my imaginings into a three-dimensional atmosphere, of birds celebrating a beautiful day with refreshing beer. This installation is not meant to teach the birds or the viewers a lesson. I want the viewer to laugh--if somebody walks into this world and cracks up, I feel like I've succeeded.

My work--whether it's a painting, sculpture, or prints--always start as a sketch on the computer.   I've only begun working with felt and I thought the drunk birds would translate well into that medium. The flat panes of color and squiggly graphic line I achieve in that medium is well-represented by the hand-cut panels and black stitching of these felt figures.

The sound element of this installation comes from closing my eyes and imagining this place where the drunk birds roam, and I want the viewer to be equally consumed.   Imagine an open field somewhere, with no people except for those drunk birds.

MANY THANKS to Mr. Dave Guerrero for the rockin' birdy sounds!!!   Think John Zorn, but with bird sounds!

MANY MANY THANKS to the leaf sewing crew: Jesse Amado, Amy Austin, Cakky Brawley, Mary Cantu, Nate Cassie, Alba DeLeon, Wayne Dow, Sarah Fisch, Dave Guerrero, Susanne Guerrero, Hana Hillerova, Mark Hogensen, Karen Mahaffy, Connie McAllister, Michele Monseau, Kristy Perez, Ethel Shipton, Caralyn Snyder, Hills Snyder, Trisha Tanner, and Anne Wallace.

MANY MANY MANY THANKS to Ms. Joan Grona for the opportunity!